For working bands
Paste your songs. Print the sheets the band actually needs.
Setlists.io matches every title to a real recording (key, tempo, length), times the whole set against your slot, and prints a stage sheet you can read from behind the kit.
It runs in your browser: nothing to install, and no account needed to build. An account is what carries your setlists between devices.
- 1Mustang SallyC
- 2Brown Eyed GirlG
- 3SuperstitionE♭m
- 4ValerieE♭
- 5Mary Jane's Last DanceAm
Set break · 15 min
- 6Can't You SeeD
- 7Take It EasyG
- 8Sweet Home AlabamaD
Stage sheet · try dragging a song
- 1PasteThe list from the group chat, the one on the back of a flyer, 36 lines of it.
- 2Fix the few it got wrongThe uncertain matches are marked. The rest is already right.
- 3PrintStage, band, tech or your own columns. Letter or A4.
One setlist, many styles
The same songs, printed for four different people. The stage sheet is titles in huge type and nothing else, because the only question it answers is what is next. The band sheet carries keys and capos. Tech gets the running clock. Custom is every column there is, and you choose.
Stage
LandscapeTaped to the monitor. Titles only, readable from behind the kit.
- 1Mustang SallyC
- 2Use MeEm
- 3SuperstitionE♭m
- 4Mary Jane's Last DanceAm
- 5Can't You SeeD
Band
PortraitWhat each player holds: key, capo, who sings it, how long it runs.
| # | Title | Key | Capo | Vocal | Time |
|---|---|---|---|---|---|
| 1 | Mustang SallyWilson Pickett | C | — | Dee | 4:05 |
| 2 | Use MeBill Withers | Em | — | Dee | 3:48 |
| 3 | SuperstitionStevie Wonder | E♭m | — | Ray | 4:26 |
| 4 | Mary Jane's Last DanceTom Petty | Am | 2 | Ray | 4:32 |
| 5 | Can't You SeeMarshall Tucker Band | D | — | Jo | 5:58 |
Tech
PortraitFor the desk. Durations and a running clock, so cues land on time.
| # | Title | Time | Running | Clock | Cue |
|---|---|---|---|---|---|
| 1 | Mustang Sally | 4:05 | 4:05 | 9:00 | Count in on hi-hat |
| 2 | Use Me | 3:48 | 7:53 | 9:04 | — |
| 3 | Superstition | 4:26 | 12:19 | 9:08 | Clav up, lights warm |
| 4 | Mary Jane's Last Dance | 4:32 | 16:51 | 9:12 | — |
| 5 | Can't You See | 5:58 | 22:49 | 9:17 | Two solo rounds |
Custom
PortraitYour own columns. Title is always there; the rest is your call.
Twenty-one columns. Print the five your keys player asks for.
- Number
- Title
- Artist
- Original key
- Key
- Capo
- Tuning
- Lead vocal
- Harmony
- Arrangement
- Groove
- Energy
- BPM
- Time sig
- Year
- Studio length
- Length
- Running
- Clock
- Tags
- Notes
| # | Title | Key | BPM | Length |
|---|---|---|---|---|
| 1 | Mustang Sally | C | 113 | 4:05 |
| 2 | Use Me | Em | 91 | 3:48 |
| 3 | Superstition | E♭m | 100 | 4:26 |
The stage sheet sizes its own type to fit a single page: 36 songs still print on one sheet, and it tells you when a set genuinely will not.
What it does
- It reads your list the way you wrote it
- Numbers, dashes, bullets, "Title — Artist", a key in brackets, a note about the segue. Paste it and the parse is shown back to you before a single row is created.
- It finds the recording, and says when it is unsure
- Every title is matched against Apple Music, with key and tempo from GetSongBPM. Where more than one recording is plausible (a remaster, a live cut, another band’s version), it flags the row and offers them, and the one you pick stays picked.
- It knows how long the set runs
- Song lengths, your own gaps between them, and the breaks you drop in, added up against the slot you were given. Change a key or drop a song and the running clock moves with it.
- Your edits are yours
- Play it in G when the record is in A? Type G. The looked-up value never overwrites what you typed, clearing a field keeps it cleared, and the reference stays underneath so you can always see what the original was.
What it does not do
Your setlists live in the browser you built them in until you sign in, so a link does not open on the drummer’s phone and nobody can edit a setlist alongside you. There is no mobile app; the site works on a phone, but the thing you take to the gig is the printout.
One price question, answered early
Free is the whole product for one setlist. Pro is the same product for as many as you keep.
Free
No card, everOne setlist, with everything in it.
- Matching against MusicBrainz and Apple Music
- Keys and tempos from GetSongBPM
- The set timed against your slot
- All four sheets, printed on Letter or A4
- Signed in, that setlist is kept on your account
Pro
5 days freeAs many setlists as you like, kept on your account.
Then $3 a month billed annually, or $5 a month paying monthly.
- Everything in Free
- As many setlists as you keep
- Cancel from your account page whenever you like
Building needs no account at all. Pro is a subscription after the five free days: Stripe handles the payment, and you can cancel it from your account page at any time. The pricing page is where the checkout quotes its own figures.